THE MASTER’S EDITION

 

 

Each image in this collection exists only once, not as a print run or reproduction, but as a single, finished work.

Every piece carries its own coordinates, marking the exact place where light, tide, and timing came together. That meeting can not be repeated.

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                 Each piece begins as a giclée print — an archival pigment process chosen for its accuracy, depth, and endurance.

Printed on museum-grade Fuji Crystal Archive Maxima paper, each image is shipped to me for inspection and signature. I hand-sign, date, and mark the coordinates directly on the print before it’s sealed beneath 1/8” acrylic glass, preserving the signature and edition mark (1/1) from time, touch, and light. Giclée prints carry a 100-year guarantee.

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Each piece is then presented in a handcrafted floated frame, selected to complement the image’s tone and temperament. Frames are available in black, brushed silver, or natural oak — chosen with intention, to honor the light each work was born from.

When the piece is complete, the master file is archived and will never be printed again in any size, finish, or medium.

What remains belongs to one collector, one wall, one story.

 

The Master’s Edition is not about rarity for its own sake — it’s about respect.

A promise that the work you hold is the only one of its kind.

Not a copy, but a moment — printed once, and meant to last.